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Posts tagged ‘lilystars records’

Of Mice & Men

After two and a half years I finally decided to sing an Orange & Lemons song via a tribute gig to remember what was once an exciting venture. The songs I have written for my former band still haunts me. And what better way to reminisce but invite musician friends to celebrate that journey.

Joining The Camerawalls on the 30th of January at Route 196 are label mates Turbo Goth, The Bernadettes, Your Imaginary Friends and The Gentle Isolation plus guest artist The Satellites as well as Ian Zafra who came all the way from Cebu to do a series of solo perfomances. The small watering hole was packed with roughly over 150 people that consists of music fans, families and friends. It was so much fun at The POP Shoppe! it was inevitable not to allow ourselves to be a little bit intoxicated. So we did.

The Satellites performed “Strike Whilst The Iron Is Hot” and “Rock-A-Bye.” A great start for the evening and kinda suited their indie rock sound. The Gentle Isolation did girl pop versions of  “Cycle Of Love” and “Days And Nights” while Ian Zafra did a stripped version of “Hey, Please” letting the crowd sing half if not the entire song. It was amazing how everyone knew the words to it.  “Heaven Knows (This Angel Has Flown)” and “Lihim” was the cover of choice of Your Imaginary Friends. Turbo Goth did a laid back version of Sarah Gaugler’s all time  favorite “Just Like A Splendid Love Song” with Paolo trying to impersonate my guitar playing at one point. The Bernadettes did a rocking version of  “I Feel Good, I Feel Fine.”  I immensely enjoyed all of it. Hearing my songs covered by my favorite bands is quite an experience. Too bad we missed the set of Patience Dear Juggernaut. He was too ill to perform.

We were the last band to play and by the time we were onstage I was already feeling a little tipsy from the scores of vodka shots I was helping myself from Jeff Saw’s table. (Jeff is The POP Shoppe’s official photographer). It was almost 2 in the morning. As I fix my guitar strap I looked around and there were still a lot of people inside the bar waiting for us to perform. Most of them standing. After a couple of songs from Pocket Guide To The Other World, we did a familiar tune from 2003. The first track from Love In The Land Of Rubber Shoes & Dirty Ice Cream called “A Beginning Of Something Wonderful” written during my college days in the late 90s.

To everyone who shared the night with us, it wouldn’t have been as much fun without you all. We thank you from the bottom of our hearts. To those who missed it, enjoy the video. In the future we will try to cover more of my songs from O&L. That I promise.

A Beginning Of Something Wonderful
Clementine
Orange & Lemons

Your gentle means
And all seems to commence
A brand new pace in me
Hope it’s not a blunder
Especially when I uncover, dig deeper
And I wonder

When I get near you
I feel something deep within me
You know you bring me to new heights
I’m like a big balloon filled with hot air
Ready to explode
Each and every time I kiss you

The more I’m with you
The more it feels like
This could be the beginning of something wonderful
Yeah, yeah…

Your lips are movin’
Your voice is so oh, so soothin’
You wear a face that lives in my dreams
Where did you come from
And I wonder

When I get near you
I feel something deep within me
You know you bring me to new heights
I’m like a big balloon filled with hot air
Ready to explode
Each and every time I kiss you

The more I’m with you
The more it feels like
This could be the beginning of something wonderful
Yeah, yeah…
The more I’m with you
The more it feels like
This could be the beginning of something really wonderful…

I have avoided singing my own songs in public for quite a number of reasons. After Orange & Lemons disbanded in a loathsome manner I just couldn’t allow myself to be reminded of the very people I once called friends, the very people who tried to fire me from my own band without proper decorum and stab me in the back by telling everyone lies. It was a situation unheard of. Sure, key leaving members in popular bands is everything but normal. Ely Buendia left The Eraserheads. Rico Blanco left Rivermaya. Johnny Marr left The Smiths. John Lennon left The Beatles. It would sound ridiculous and downright outrageous if Ely, Rico, Marr or worse John Lennon will be fired from their own band. It was like killing the goose that lays the golden egg.

In all the published works of O&L I have written lyrics for 32 songs, music for 39 songs plus 2 poetry. I sang 19 recorded tracks as main vocals, have painstakingly arranged, layered and recorded hundreds of guitar tracks alone. I have spent more hours in the studio during recording, mixing and mastering than any member of the band. Collaborated with sound engineers, directors, stylists, session musicians, advertisers, label people, etc. Booked and arranged all band rehearsals since day one.

I taught Mcoy how to play the guitar and how to fake it as a beginner during our early years of live gigging. He never recorded any guitar tracks in the album. I did. Ace Del Mundo auditioned to me and I was the one who hired him as a drummer and later on his brother JM to fill in for Law’s absence. I equally shared songwriting credits in the first two albums of O&L with Mcoy Fundales as a gesture of goodwill although he hasn’t contributed anything to most of the songs in terms of composition and intellectual property. So until now he has been receiving royalties for songs he did not create. I spent a year recording and conceptualizing and developing the last album Moonlane Gardens only to be fired a week after the album launch. I dedicated 11 years building the foundation of O&L and seeing it rise to the top and falling hard face-flat on quicksand. A classic example of losing heads in the clouds.

I cite these facts not out of bitterness nor anger but to answer the question a lot of people have been asking: “Why don’t you sing your songs from O&L and perform it with The Camerawalls?” Clearly my response is an emotional one. When I fought my way from preventing my ex-bandmates from using the entity Orange & Lemons without me (which i eventually succeeded), I posed a challenge to myself  and unto them to start from scratch and create our own music instead of banking on the success of O&L music. A challenge I knew they will not accept as they continue singing the songs they did not create during live gigs after disbanding mainly for profit.

The human spirit in me obliged to the challenge. An innate drive to create something unique and new from my raw individual experience with O&L and the desire to overcome the painful journey. The need to be challenged is so strong that we sometimes make things more difficult than they need to be just so we can rise to the occasion and overcome the obstacles we ourselves have created.

I refused to sing O&L songs during the early stages of The Camerawalls nor use any of my existing and unpublished recordings or demos or songs I’ve written during my stint with O&L. I started from scratch and with the help and collaboration of my new band mates we were able to produce songs that will eventually be the tracks for Pocket Guide To The Otherworld. I’m proud to say the tracks in Pocket Guide is the most recent and most mature work I ever did. They may not be as catchy or as youthful as the songs I contributed for O&L but it sure is a beginning of something wonderful once more.

THE BEST LAID SCHEMES OF MICE AND MEN.  A popular phrase which means the most carefully prepared plans may go wrong. As did my plans for Orange & Lemons. Taken from Robert Burns‘ poem To a Mouse, 1786. It tells of how he, while ploughing a field, upturned a mouse’s nest. The resulting poem is an apology to the mouse:

But, Mousie, thou art no thy lane
In proving foresight may be vain:
The best laid schemes o’ mice an’ men
Gang aft a-gley,
An’ lea’e us nought but grief an’ pain,
For promised joy.

The poem is the source for the title of John Steinbeck‘s 1936 novel – Of Mice and Men.

+Clementine

Moz Night

We began drinking at 3pm.

Pao, Clem, Law and I met at Lilystar’s HQ for a photo shoot. Its always a bit rough for me to pose without some sort of social lubricant, so I brought along a litre of Absolute Blue. We got dressed and Daphne took some pictures.

It wasn’t long till Pao and Sarah (Turbo Goth) introduced us to their little friend. Jose Cuervo. Antonette’s mom hooked us up with some Shakey’s. By then the sun had already set and it wasn’t too long till we had to head out to the studio to rehearse the songs on the set list.

The Moz covers we did were: Suedehead, The More You Ignore Me The Closer I Get, Interesting Drug and The Last Of The International Playboys.

Here’s where it got hazy.

Lots of people. Lots of flowers. The Bernadettes. Turbo Goth doing Get Behind Me Satan. My family showed up. Standing on the drum set. It was hot. Steamy. We played a great show.

Epilogue.

Cheska and I met up with my family at Whistle Stop. I had 6 shots of Chivas, A Baconsilog, A burger, Salpicao, a tapsilog, Coke Zero, Iced tea and a key lime pie…. Got home.

Sweet Dreams.

Ian Sarabia

(Related Blog: Your Interesting Drug)

Two Years Of Being

Two years. Two rewarding years of music and friendship. From personal battles to a combo fight and flight for a space in the deadening local music industry. The Camerawalls has forged its way to a bright future, beat into shape and now ready for more growth and progress. With a little help from our dear friends we have played our cards well.

CW Cards

*Illustration by Sarah Gaugler (June 2008)

September 10 marks our second year of togetherness, specifically the day when Law and Ian first met and agreed to form a new band with me.  We were all excited about it especially Ian, who has never played proper drums in his entire life, fidgeting about the prospect of sitting behind a kit.

A Chronology

thecamerawalls1September 1, 2007 – Ian and I hanged out for the first time after almost a year for a jamming session to test his percussive intelligence and sensibility. Turns out he’s a natural. Watch the video taken September 1 of  me and Ian writing a daft song on the spot and jamming it.

September 4, 2007 – Wrote our first song together with Ian called “Changing Horses Midstream.”

September 10, 2007 – The day I formally  introduced Ian Sarabia  to Law Santiago and plans were made for The Camerawalls. Here’s a funny clip of Ian with Law in the background still high with the idea of returning to the music scene.

September 22, 2007 –  “Markers of Beautiful Memories” was written while Ian and I were chatting online throwing lines at each other.

October 26, 2007 – Debut Gig at Gweilos Bar, Makati. “To Be Someone” by The Jam was the first song we played live. This gig featured our new songs “Markers Of Beautiful Memories” and “Changing Horses Midstream” played live for the first time. Click on the song titles to view the live performance.

November, 2007 – Recorded “Markers Of Beatiful Memories.” I reunited with producers/engineers’ Jonathan Ong & Robert Javier (responsible for the production of the O&L album “Moonlane Gardens” which won Album Of The Year in the 2007 Rock Awards), to try the new sound and direction for The Camerawalls resulting into a steady and absorbing recording.

November, 2007  to February, 2008 – Wrote and arranged the rest of the songs for the debut album in the following order: Lord Of The Flies, I Love You Natalie, Clinically Dead For 16 Hours, Ignore My Weakness Don’t Ignore Me, Canto De Maria Clara, The Emperor The Concubine & The Commnoner, Lizard Hiding Under Rocks, Solitary North Star

thecamerawalls-bwMarch, 2008 – Released “Markers Of Beautiful Memories” as a single. First aired on NU 107 and later on was included in the playlist of JAM 88.3. Simultaneously posted in the band’s MySpace the song slowly gained attention and following plus great feedback and reviews.

March to June, 2008 – Recorded the rest of the songs in “Pocket Guide To The Otherworld” at Sonicstate Audio under the production of Jonathan Ong and Robert Javier.

June 15, 2008 – First radio guesting/Live Performance at Jam Sessions (Jam 88.3) promoting the launch of the debut album.

July 2008 – Released our second single “Clinically Dead For 16 Hours.” Apparently an obvious choice by radio stations, friends and fans.

The CamerawallsJuly 3, 2008 – Album Launch at Club Dredd. Watch one of the songs performed here and the Dredd TV interview here.

July 16, 2008 – The POP Shoppe! launch at Gweilos Bar headlined by The Camerawalls.

August 2, 2008 – Video shoot for “Clinically Dead For 16 Hours” and some parts of “Markers Of Beautiful Memories under the direction of B. Canapi. “Clinically Dead For 16 Hours” was released 3 weeks later and enjoyed sizable airtime on MYX and MTV. Watch the video here.

September 10, 2008 – Our first year anniversary.

November 6, 2008 – First Major Gig – MYX MO at Mall Of Asia. Performed “Clinically Dead For 16 Hours” in front of thousands of people.

November 27, 2008 – NU 107 Rock Awards: Nominated for Best New Artist and Best Album Packaging for “Pocket Guide To The Otherworld.” We did not win the award but the recognition as a nominee says a lot.

January 2009 – Released the music video for “Markers Of Beautiful Memories.” Rather late but for a wonderful song little does it matter. It features Sarah Gaugler of our electro pop sister band — Turbo Goth.

January to February, 2009 – The Camerawalls’ Provincial SM Mall Tour (Baliwag, Pampanga, Baguio, Marilao, Lipa). An effort to reach out to our fans and friends outside Manila and promote the debut album. Did sideshows in nearby bars as well in each area.

March 28, 2009 – A mini-concert at Ortigas Park during the yearly celebration of Earth Hour. A memorable gig filled with candlelight in darkened street area of Ortigas.

Pocket Guide To The Otherworld

May 8, 2009 – Launch and release of the repackaged edition of “Pocket Guide To The Otherworld” with a new and more fitting cover art by Sarah Gaugler during the anniversary party of Lilystars Records.

May 15, 2009 – Performed at JAM Musicfest. First time to play live with an electric guitar with these songs: Clinically Dead For 16 Hours and That’s Entertainment (The Jam). Click the title to watch the videos.

June 20, 2009 – Performed at Fete Dela Musique.

August 29, 2009 – Performed at Jackstock – Jack TV’s 4th Anniversary celebration at Eastwood Central Plaza.

September 2, 2009 – Performed alongside a great scottish songwriter Ally Kerr during his visit in Manila. The Camerawalls provided rhythm section during his gig at The POP Shoppe.

September 11, 2009 – Second Anniversary celebration at Gweilos Bar where we first performed as a band. Had a great party with Lilystars Records family, friends and supporters. Performed live two new songs that will appear in the upcoming Lilystars compilation album:  “The Sight Of Love” and “Longevity.”

We are thankful for these two great years. To everyone who shared moments with us, supported us along the way, bought our records and turned up at our gigs and shared our excitement — we are forever grateful. Expect more music in the coming days, months and years ahead. – Clementine